E D I T O R ' S N O T E


F I C T I O N

Barbara Quinn's "Crab Lines" from The Rose & Thorn
C.S. Fuqua "Magic" from Cezanne's Carrot
Gordon Grice "The White Cat" from The Vestal Review
Mary Estrada "Temperance" from Cezanne's Carrot
Steven Gillis "The Girl with the Diamond Tatoo" from Summerset Review
Robert Shapard "Bare Ana" from Juked


P O E T R Y

David Graham's "Against God" from Salt River Review
Matt Sadler's "Letter To Layne From Tucson" from Salt Review Review
Ana Boziecevic-Bowling's "(Some Notes on) Waking from Afternoon Sleep on a Warm Day in January" from Eucalyptus
Ro Gunetilleke's "The Burnt" from poeticdiversity
Rachel Mallino's "Knuckle-bone" from Melic Review
James Owens's "Ars" from The Rose & Thorn
Matt Hart's "Air Traffic Control" from H_NGM_N
Clay Matthews's "Song Sung Sang Again" from H_NGM_N
Anna Evans's "Color Therapy at the OB-GYNs" from Apple Valley Review
David Dodd Lee's "Apples" from Big Toe Review
Chanel Dubofsky's "This Is Why We Can Never Have Nice Things" from Big Toe Review
Stephen Powers's "Sunday After" from Boxcar Poetry Review
Patrick Rosal's "The Blue Room" from Boxcar Poetry Review
Jason Bredle's "Thanksgiving Prayer Girl" from 42opus
Bruce Covey's "Nay, Orpheus" from No Tell Motel
Jennifer L. Knox's "13 Stages Of Grief" from No Tell Motel
Karyna McGlynn's "Would You Like Me To Walk Your Baby?" from Typo
Peter J. Shippy's "The Great Wall Of Wabash" from three candles
Anne Boyer's "You Will Want Like Cowboys" from Coconut
Bob Hicok's "Liquidity Issues" from Born Magazine
Peter J. Shippy's "The Tragic Conversion of Keith Richards" from New Hampshire Review